William Shakespeare
1564 - 1616
arguably the most heralded poet and dramatist of all time.
Little is known about William Shakespeare - some critics even claim that he was merely a front for another playwright. What is known, however, is that he was universally popular in his own time and his works have been heralded as the finest ever examples of the use of the English language.
Shakespeare was adept at crafting words and sentences for maximum effect and, because of this, he was instrumental in the changes that were occuring to the English language during the sixteenth and seventeenth centuries. Shakespeare's power with language was coupled with a remarkable poetic ability evident throughout his plays and in his collection of sonnets.
In the world today, Shakespeare's plays are performed more than those of any other dramatist; standing testiment to the timeless nature of his works.
Essays
Masters of Disguise and Language -- Evaluates the influence of Homer on Shakespeare centralizing on the use of physical, verbal, and emotional disguises in the characters to impel forward the plot line of the story and enhance themes
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Sonnet 130 Appreciation Essay -- Techniques and meaning of Shakespeare's 130th sonnet; my mistress' eyes are nothing like the sun.
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Shakespeare and Freudian theory Hamlet and Titus -- This essay attempts to discover how Freudâs psychoanalytical accounts of human nature can bring us to a deeper understanding of the family relationships at work in Shakespeareâs Hamlet and Titus Andronicus.
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"King Henry & Prince Hal: Machiavellian Monarchs" -- Shakespeare's Prince Hal in 1 Henry IV as a machiavellian character
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Upon the Heath There Are No Stars -- Analysis of King Lear IV.vi. 142-184
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Henry the 4 port 1 - Does Hal undergo real change, or is it marely for political purposes -- an analysis of Hal figure and the comparison to Hutspur and Falstaff
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Setting in The Tempest -- The significance of setting in Shakespeare's play, with reference to the construction of the worlds of art and reality
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Power in Relation to Class, Gender and Race in Othello -- Othello is a play about human nature and relationships. By studying these human relationships, differences in race, gender and class suggest that Venetian society consists both of empowered and disempowered groups
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Significance of the Opening and Closing Scenes of The Tempest -- Through the deconstruction of the court system in the tumultuous opening scene, and its eventual superior reconstruction in the closing scene, Shakespeare is able to better develop and display inherent character traits in the major roles
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The funeral orations in Julius Caesar -- The funeral orations of both Brutus & Antony after Caesar's death
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The sonnets 1_17 of shakespeare -- my essay will grapple with a general analysis of these sonnets
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Who is Responsible? -- Tells of the major blame to the demise and degeneration of Macbeth.
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kings and fools in King lear -- The tragedy of this play is shown through the daughters of the king, the fool
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King Lear as a tragic hero -- I will discuss the idea that is King Lear a tragic hero or not
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The Tragic and Pitiful King Lear -- I will discuss the idea that is King Lear a tragic hero or not
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William Shakespeare and Existentialism -- Shakespeare and existentialism
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"Thriftless Ambition" -- âTime and hour run through the roughest dayâ, (I, 4, 164), or do they? Is this only true when one can bask in âthe death of each dayâs life [?]â It is âthriftless ambition that will raven up thine own lifeâs means
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Presenting Taming Of The Shrew To A Modern Day Audience -- Presenting Taming Of The Shrew To A Modern Day Audience
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To what extent is the character of Brutus a tragic hero in Shakespeareâs Julius Caesar? What does this reveal about his character? -- The concept of Brutus as a tragic hero in Shakespeare's Julius Caesar in the Shakesperann and classical sense.
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Select Review On Romeo and Juliet -- Three Short Essays on Shakespeare's Characters
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Marginilisation of Characters in Othello -- An analysis of the ways in which principal characters are marginalised in Shakespeare's Othello
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Iago as a dramatic construct of deceit and revenge. -- Year 12 lit essay. 'The character of Iago in Shakespeare's play Othello, is said to be the ultimate dramatic construct of deceit and the epitome of an unquenchable desire for revenge.' Refers Sir Francis Bacon http://essayists.8m.com/essays.html.
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What Could Have Been: The Role of the Theatrical Character in Romeo and Juliet, Hamlet and Henry IV, Part 1 -- Examining the role of the most theatrical characters in three plays by Shakespeare.
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Power and Being in Shakespeare's Antony and Cleopatra -- A short essay on the duality in the main characters'attitude and behaviour.
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Othello or Othe(r)llo: A vacillation Between the Familiar and the Alien -- This essay challenges the popular view of Othello as a villain, and examines this in the context of Said's theory of Orientalism.
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Degradation of Macbeth -- To compare and contrast Macbeth we see in Act 1 and Act 5.
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Marginalisation of Principle Characters in Othello by William Shakespeare -- Othering at work in Othello
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Why is the First Act of Shakespeareââ¬â¢s ââ¬ËRomeo and Julietââ¬â¢ so Important? -- This essay looks at the significance of Act 1 of Shakespeare's 'Romeo and Juliet', analysing how Shakespeare set's up the crutial aspects which make this a wholly gripping and exciting play, and also includes some history on the play itself.
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An Analysis of Iago's Manipulation of Each of the Characters in Othello -- The essay describes in detail Iago's manipulation of Cassio, Desdemona, Emilia, Roderigo, and Othello.
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Character Analysis of Romeo and Juliet -- Brief notes on the major characters.
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Who or What is to Blame for the Tragedy -- Investigates whether 'fate' ro the behaviour of Romeo is to blame for the tragedy in the play.
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Othello - Act 11 Scene 11 -- Critical analysis of the scene and an assessment of its importance in the play.
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Appearance vs. Inner Value in The Merchant of Venice -- In the Merchant of Venice, elegant outward appearances are used to mask a thing's true worthlessness, and these beautiful facades are often mislead people.
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Representation of Gender Within Shakespeare's Othello -- Women are always victims because it is men who determine social organisation. Considers the ways in which the representation of men and women in Othello supports or challenges this assumption.
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Love in Shakespeare's Twelfth Nght -- Examines how Shakespeare uses his main characters to present the theme of love.
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The Path of Forgiveness in the Tempest -- In the Tempest, Prospero's initial desire to wreak revenge upon his enemies through insanity brought on by guilt is eventually overridden by his realization that he really desires reconciliation, which he will only achieve through forgiveness.
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Sound in Shakespeare's 'The Tempest' -- An academic exercise that takes a formalistic approach (focusing specifically on the use of sounds) to William Shakespeare's play.
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Othello's Character Development -- A study of Othello's character developement from a respectable general into a jealous murderer based on four major extracts.
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Madness in Hamlet: Hamlet and Ophelia -- Discusses the dramatic significane of the 'mad' scenes in Shakespeare's play.
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The Action in of Macbeth and Reality in History -- Examines the relationship between the tragedy of Macbeth and historical reality.
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Who is the Third Murderer? -- A look into the possible identity of the Third Murderer found in Macbeth.
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Manhood's Significance in Macbeth -- The theme of manhood is examined as displayed in Shakespeare's Macbeth.
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A Critical Commentary on the "Porter Episode" in Macbeth -- This essay critically evaluates the importance and dramatic purpose of the"Porter Episode" (Act II, Sc. iii) in Macbeth by William Shakespeare.
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Fools in Shakespeare's Comedies -- The purposes and classifications of the fools and clowns Shakespeare uses in his comedic plays.
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Inversion as a Literary Device in William Shakespeare's "King Lear": Examining the Play's First Two Acts -- Essentially, inversion, expressed powerfully and with great beauty, is a key element in the play's first two acts.
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Inversion as a Literary Device in William Shakespeare's "King Lear" -- Shakespeare's play, "King Lear," relies heavily on the concept of inversion to create the irony that adds so much to its dramatic impact.
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