Quotes
Quotes about Writer
About the most originality that any writer can hope to achieve honestly is to steal with good judgment.
Writers, especially when they act in a body and with one direction, have great influence on the public mind.
That writer does the most, who gives his reader the most knowledge, and takes from him the least time.
If a law were passed giving six months to every writer of a first book, only the good ones would do it.
If writers were good businessmen, they'd have too much sense to be writers.
In America only the successful writer is important, in France all writers are important, in England no writer is important, and in Australia you have to explain what a writer is.
There's one good kind of writerâa dead one.
Quotation... A writer expresses himself in words that have been used before because they give his meaning better than he can give it himself, or because they are beautiful or witty, or because he expects them to touch a cord of association in his reader, or because he wishes to show that he is learned and well read. Quotations due to the last motive are invariably ill-advised; the discerning reader detects it and is contemptuous; the undiscerning is perhaps impressed, but even then is at the same time repelled, pretentious quotations being the surest road to tedium.
A good writer is not necessarily a good book critic. No more so than a good drunk is automatically a good bartender.
Writers are the main landmarks of the past.
Writers like teeth are divided into incisors and grinders.
The free-lance writer is a man who is paid per piece or per word or perhaps.
Writers seldom choose as friends those self-contained characters who are never in trouble, never unhappy or ill, never make mistakes, and always count their change when it is handed to them.
In writing advertising it must always be kept in mind that the customer often knows more about the goods than the advertising writers because they have had experience in buying them . . .
We romantic writers are there to make people feel and not think. A historical romance is the only kind of book where chastity really counts.
Feast of Aidan, Bishop of Lindisfarne, Missionary, 651 Commemoration of Cuthburga, Founding Abbess of Wimborne, c.725 Commemoration of John Bunyan, Spiritual Writer, 1688 [John Bunyan] had to live through that obscure nightâ"wide, vast, and lonely"âwhich fell upon St. John of the Cross before; like him, he knew that grace would enter "the dark caverns where the senses live". In the meantime, Bunyan tossed to and fro, as it were between heaven and hell. It has been said that he paints too dark a picture of his moral condition when a young man, that he exaggerates his wickedness at this period, and afterwards wrestles with phantoms of his vivid imagination. But spiritual sins, though not so obvious as those that are sensual, may be just as real; and Bunyan's intensity of feeling and expression arose from the intensity of his spiritual nature.
Commemoration of Albrecht Dürer, artist, 1528, and Michelangelo Buonarrotti, artist, spiritual writer, 1564 O God in heaven, have mercy on us! Lord Jesus Christ, interecede for your people, deliver us at the opportune time, preserve in us the true genuine Christian faith, collect your scattered sheep with your voice, your divine Word as Holy Writ calls it. Help us to recognize your voice, help us not to be allured by the madness of the world, so that we may never fall away from you, O Lord Jesus Christ.
Commemoration of Charles Williams, Spiritual Writer, 1945 Every contrition for sin is apt to encourage a not quite charitable wish that other people should exhibit a similar contrition.
Feast of Evelyn Underhill, Mystical Writer, 1941 As the Christian life in the individual is the work of the Spirit, it follows that the corporate realization of that life, in the Church built upon the foundation of apostles and prophets, is also His creation... The great creative acts and significant turning-points were recognized, either by the Church or by its historian, as determined by the Spirit. The Spirit confirmed and preserved the community from the outset, by the descent at Pentecost (Acts 2:4). The extension of the Gospel beyond Judea and the first mission to the Gentiles were commanded and approved by the Spirit (Acts 8:29, 10:19, 44, 13:2, 4). Paul, on his journeys, was led by the Spirit (Acts 16:6, 7). He himself was especially conscious that his whole ministry was inspired by the Holy Ghost (Rom. 15:18,19). All the apostles were conspicuously men of the Spirit. (Continued tomorrow).
Feast of Mary Sumner, Founder of the Mothers' Union, 1921 When evangelicals call the Bible "inerrant", part at least of their meaning is this: that, in exegesis and exposition of Scripture and in building up our biblical theology from the fruits of our Bible study, we may not (1) deny, disregard, or arbitrarily relativize, anything that the biblical writers teach, nor (2) discount any of the practical implications for worship and service that their teaching carries, nor (3) cut the knot of any problem of Bible harmony, factual or theological, by allowing ourselves to assume that the inspired writers were not necessarily consistent either with themselves or with each other. It is because the word "inerrant" makes these methodological points about handling the Bible, ruling out in advance the use of mental procedures that can only lead to reduced and distorted versions of Christianity, that it is so valuable and, I think, so much valued by those who embrace it.
Commemoration of Richard Rolle of Hampole, Writer, Hermit, Mystic, 1349 Lord Jesu, I ask Thee, give unto me movement in Thy love without measure; desire without limit; longing without order; burning without discretion. Truly the better the love of Thee is, the greedier it is; for neither by reason is it restrained, nor be dread thronged, nor by doom tempted.
Feast of Chad, Abbot of Lastingham, Bishop of Lichfield, Missionary, 672 Continuing a short series of testimonies on the Scriptures: It is absolutely wrong and forbidden, either to narrow inspiration to certain parts only of Holy Scripture, or to admit that the sacred writer has erred. For the system of those who, in order to rid themselves of difficulties, do not hesitate to concede that divine inspiration regards the things of faith and morals, and nothing beyond, because (as they wrongly think) in a question of the truth or falsehood of a passage, we should consider not so much what God has said as the reason and purpose which He had in mind in saying it--this system cannot be tolerated. For all the books which the Church receives as sacred and canonical, are written wholly and entirely, with all their parts, at the dictation of the Holy Ghost: and so far is it from being possible that any error can co-exist with inspiration, that inspiration not only is essentially incompatible with error, but excludes and rejects it as absolutely and necessarily as it is impossible that God Himself, the supreme Truth, can utter that which is not true.
No literary fact is more remarkable than that men, knowing what these writers knew, and feeling what they felt, should have given us chronicles so plain and calm. They have nothing to say as from themselves. Their narratives place us without preface, and keep us without comment, among external scenes, in full view of facts, and in contact with the living person whom they teach us to know... Who can fail to recognize a divine provision for placing the disciples of all future ages as nearly as possible in the position of those who had been personally present at "the beginning of the Gospel of Jesus Christ the Son of God"?
Commemoration of Albrecht Dürer, artist, 1528, and Michelangelo Buonarrotti, artist, spiritual writer, 1564 Man cannot make a redemptive art, but he can make an art that communicates what he experiences of redemption as a man and what he knows of it as an artist. God in his infinite wisdom may use an art work as an instrument of redemption, but what serves or can serve that purpose is beyond the knowledge of man.
Commemoration of Charles Williams, Spiritual Writer, 1945 Come to the Bible, not to study the history of God's divine action, but to be its object; not to learn what it has achieved throughout the centuries and still does, but simply to be the subject of its operation.
