We 'll have a swashing and a martial outside, As many other mannish cowards have. -As You Like It. Act i. Sc. 3.
I shall ne'er be ware of mine own wit till I break my shins against it. -As You Like It. Act ii. Sc. 4.
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
I 'll warrant him heart-whole. -As You Like It. Act iv. Sc. 1.
The Liner she's a lady, an' she never looks nor 'eeds-- The Man-o'-War's 'er 'usband an' 'e gives 'er all she needs; But, oh, the little cargo-boats, that sail the wet seas roun', They're just the same as you an' me, a'-plyin' up an' down.
She comes majestic with her swelling sails, The gallant Ship: along her watery way, Homeward she drives before the favouring gales; Now flirting at their length the streamers play, And now they ripple with the ruffling breeze.
And fast through the midnight dark and drear, Through the whistling sleet and snow, Like a sheeted ghost, the vessel swept Towards the reef of Norman's Woe.
Let firm, well hammer'd soles protect thy feet Through freezing snows, and rains, and soaking sleet; Should the big last extend the shoe too wide, Each stone will wrench the unwary step aside; The sudden turn may stretch the swelling vein, The cracking joint unhinge, or ankle sprain; And when too short the modish shoes are worn, You'll judge the seasons by your shooting corn.
He had a fever when he was in Spain, And when the fit was on him, I did mark How he did shake. 'Tis true, this god did shake. His coward lips did from their color fly, And that same eye whose bend doth awe the world Did lose his luster.
For sight is woman-like and shuns the old. (Ah! he can see enough, when years are told, Who backwards looks.)
Y'ought to hyeah dat gal a-warblin' Robins, la'ks an' all dem things Heish de mouffs an' hides dey faces When Malindy sings.
Or did the soul of Orpheus sing Such notes as, warbled to the string, Drew iron tears down Pluto's cheek.
The reward for a job well done is more work.
Slander is the revenge of a coward, and dissimulation of his defense.
Lord, remember David, and all his afflictions: How he sware unto the Lord, and vowed unto the mighty God of Jacob; Surely I will not come into the tabernacle of my house, nor go up into my bed; I will not give sleep to mine eyes, or slumber to mine eyelids, Until I find a place for the Lord, an habitation for the mighty God of Jacob.
Of all the thoughts of God that are Borne inward unto souls afar, Along the Psalmist's music deep, Now tell me if that any is. For gift or grace, surpassing this-- "He giveth His beloved sleep."
The thing that goest farthest towards making life worth while, That costs the least, and does the most, is just a pleasant smile. . . . . It's full of worth and goodness too, with manly kindness blent, It's worth a million dollars and it doesn't cost a cent.
Come, see the north-wind's masonry, Out of an unseen quarry evermore Furnished with tile, the fierce artificer Curves his white bastions with projected roof Round every windward stake, or tree, or door. Speeding, the myriad-handed, his wild work So fanciful, so savage, naught cares he For number or proportion.
For it is most true that a natural and secret hatred and aversation towards society in any man, hath somewhat of the savage beast.
But now being lifted into high society, And having pick'd up several odds and ends Of free thoughts in his travels for variety, He deem'd, being in a lone isle, among friends, That without any danger of a riot, he Might for long lying make himself amends; And singing as he sung in his warm youth, Agree to a short armistice with truth.
Some tribes [of monkeys] have taken to washing potatoes in the river before eating them, others have not. Sometimes migrating groups of potato-washers meet non-washers, and the two groups watch each other's strange behavior with apparent bewilderment. But unlike the inhabitants of Lilliput, who fought holy crusades over the question at which end to break the egg, the potato-washing monkeys do not go to war with the non-washers, because the poor creatures have no language which would enable them to declare washing a diving commandment and eating unwashed potatoes a deadly heresy.
Cultures contain many cues and inducements to dissuade the individual from approaching ultimate limits, in much the same way that a special warning strip of land around the edge of a baseball field lets a player know that he is about to run into a concrete wall when he is preoccupied with catching the ball. The wider that strip of land and the more sensitive the player is to the changing composition of the ground under his feet as he pursues the ball, the more effective the warning. Romanticizing or lionizing as "individualistic" those people who disregard social cues and inducements increases the danger of head-on collisions with inherent social limits. Decrying various forms of social disapproval is in effect narrowing the warning strip.
The ideal of self-advancement which the civilizing west offers to backward populations brings with it the plague of individual frustration. All the advantages brought by the West are ineffectual substitutes for the sheltering and soothing anonymity of communal existence.
Glory is largely a theatrical concept. There is no striving for glory without a vivid awareness of an audience.
Mere facts are for children only. As they begin to point towards conclusions they become food for men.