My parents must have had tough decisions to make, but I was never called on to bear witness to their anxiety. To some people that might sound like repression, but I think repression can be a positive value.
Eternal rest sounds comforting in the pulpit; well, you try it once, and see how heavy time will hang on your hands.
He loved the twilight that surrounds The border-land of old romance; Where glitter hauberk, helm, and lance, And banner waves, and trumpet sounds, And ladies ride with hawk on wrist, And mighty warriors sweep along, Magnified by the purple mist, The dusk of centuries and of song.
A prince, the moment he is crown'd, Inherits every virtue sound, As emblems of the sovereign power, Like other baubles in the Tower: Is generous, valiant, just, and wise, And so continues till he dies.
Straightway throughout the Libyan cities flies rumor;--the report of evil things than which nothing is swifter; it flourishes by its very activity and gains new strength by its movements; small at first through fear, it soon raises itself aloft and sweeps onward along the earth. Yet its head reaches the clouds. . . . A huge and horrid monster covered with many feathers: and for every plume a sharp eye, for every pinion a biting tongue. Everywhere its voices sound, to everything its ears are open. [Lat., Extemplo Libyae magnas it Fama per urbes: Fama malum quo non velocius ullum; Mobilitate viget, viresque acquirit eundo; Parva metu primo; mox sese attollit in auras, Ingrediturque solo, et caput inter nubilia condit. . . . . Monstrum, horrendum ingens; cui quot sunt corpore plumae Tot vigiles oculi subter, mirabile dictu, Tot linquae, totidem ora sonant, tot subrigit aures.]
The sounder your argument, the more satisfaction you get out of it.
Because authority, though it err like others, Hath yet a kind of medicine in itself That skins the vice o' th' top; go to your bosom, Knock there, and ask your heart what it doth know That's like my brother's fault; if it confess A natural guiltiness such as is his, Let it not sound a thought upon your tongue Against my brother's life.
Sense is our helmet, wit is but the plume; The plume exposes, 'tis our helmet saves. Sense is the diamond, weighty, solid, sound; When cut by wit, it casts a brighter beam; Yet, wit apart, it is a diamond still.
How sweet the moonlight sleeps upon this bank! Here we will sit and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There 's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins. Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it. -The Merchant of Venice. Act. v. Sc. 1.
The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. That strain again! it had a dying fall: O, it came o'er my ear like the sweet sound That breathes upon a bank of violets, Stealing and giving odour! -Twelfth Night. Act i. Sc. 1.
When I but hear her sing, I fare Like one that raises, holds his ear To some bright star in the supremest Round; Through which, besides the light that's seen There may be heard, from Heaven within, The rests of Anthems, that the Angels sound.
The path of sound credence is through the thick forest of skepticism.
...man has an irrepressible tendency to read meaning into the buzzing confusion of sights and sounds impinging on his senses; and where no agreed meaning can be found, he will provide it out of his own imagination.
Verse sweetens toil, however rude the sound; She feels no biting pang the while she sings, Nor as she turns the giddy wheel around, Revolves the sad vicissitudes of things.
A thousand trills and quivering sounds In airy circles o'er us fly, Till, wafted by a gentle breeze, They faint and languish by degrees, And at a distance die.
By magic numbers and persuasive sound.
I hear a sound so fine there's nothing lives 'Twixt it and silence.
Parent of sweetest sounds, yet mute forever.
Sonorous metal blowing martial sounds, At which the universal host up sent A shout that tore hell's concave, and beyond Frighted the reign of Chaos and old Night.
Their rising all at once was as the sound Of thunder heard remote.
To all proportioned terms he must dispense And make the sound a picture of the sense.
The sound must seem an echo to the sense.
I did never know so full a voice issue from so empty a heart; but the saying is true, 'The empty vessel makes the greatest sound.'